#WHY IS IT BEING HIDDEN

[bakudekublogblog]

i hear you and I agree with everything you’re saying and I also miss izuku’s thoughts about kacchan but also izuku also looks at kacchan like this

It's horrible to be utterly convinced that Katsuki is in love with Izuku without really being able to say definitively that Izuku is in love with Katsuki...aghh there's so much to say about certain hints and very overt things for Mr. "Kacchan Bakugou" but I feel like I haven't seen...or more accurately heard how Izuku feels. I know he loves him but Is he in love with him? Can I say that without thinking I could be wrong? No I don't think I can...but damnit! The parallels to other straight and gay couples in media is so interesting like the Berserk ref in cover 37...or the pretty constant references to taro cards...Izuku the devil in between togachako's lovers ((WHAT DOES THAT MEAN SERIOUSLY)), the three of swords in the blackwhip explosion...the "WAH--CCHAN!!" ref to a romance trope as well as to Blue Flag...the "share a crepe with" line also potentially Blue Flag..."TROY" and the battle being referenced OUT THE WAZOO with Achilles and Patroclus playing out almost exactly as the Illid described ((Literally THE most famous couple of gaybos in all historical literature--they are well known for being speculative lovers! It's mentioned in English classes when you read it))...Katsuki's parents...Katsuki's parents...the way other manga like "name I can't remember..." where they would reference MHA outright with the girl falling down and then refusing to take the male lead's hand to get up. It feels like so much but also nothing at all because all of it (( no matter how overt)) is STILL being read into from subtext. idk I think I just needed to vent.

[gaymelie]

Once again saw someone yell on here about how "nobody is going to report this aaah the media is evil", closed this app and not even a minute later saw a report with that exact content on a major news platform. Ngl this phrasing is rapidly being added to the list of things i won't reblog on principle.

[mossy-box]

Me drawing Big Mama? That’s new. (I thought making her plus sized would be fun <3)

[echosong971]

POV: you're losing in Crucible

[creatively-cosmic]

in loving memory

or: what did @pkmn-monochrome mean by this

[non-newtonian-id]

this is complete insanity on my part because i thought about PIDW!Shang Qinghua a little too much but

he and PIDW!Mu Qingfang were in love. to me.

they never actual got together before og!sqh died but there was mutual pining happening

trust, i spoke to airplane himself (<- guy being delusional about two double fictional characters (characters that are fictional within a factional setting))

[moonkhao]

I'm sorry, Pok. I know I messed up. But I promise, no more giving out my IG, no more talking to others. I promise, Pok. The problem isn't IG.

HIDDEN AGENDA | Ep 9

[angy-grrr]

I can't believe Horikoshi decided to parallel togachako with shigaraki and deku, but also with kacchan and izuku, because there are multitudes into their relationship.

Ochahimi has this obvious textual side going on for a long time that its meant to be seen along Shigaraki Tomura and Midoriya Izuku: a hurt villain and a hero who feels the need to stop the pain. Two sides of the same coin. Will they take their hand? How could they reach out? Is there any hope for the rejected? We have different scenes in which its clear Uraraka and Midoriya have this idea of saving someone who is hurt even if they are a villain, the flashbacks of their conversation before the war, but surprisingly Ochako doesn't think of it as much as Izuku in this final battle -clearly stated, is when Himiko is giving her own blood to save her and explaining how she felt like her heart was floating when Uraraka touched her. The flashback reminds us of Izuku talking about how "maybe theres no way to avoid a battle, but I cant ignore what I saw deep inside him".

But Ochako isn't happy even if she got there, even is Toga tells her she made her happy. She's tired, sad, and desperate to stop her when she cant even move.

Its difficult to analyze Izuku's emotions, but once again, we can try to work with what we currently have! As far as we know, Izuku isn't really having that much of a conflict in terms of if he should save Tenko or not -the problem was external. What would the OFA users think? He challenged them by staying true to his inner core, and they accepted him, but we don't see him struggling with the idea of him reaching out to Tenko in itself like Ochako, who actively tried to forget about Himiko.

I interpret his flashbacks to his conversation with Ochako as a reminder of the person behind the villain, because he is also feeling something else: anger. Izuku was really hurt during this battle both physically and, I would argue mostly, mentally. As he himself said, he can't forgive Shigaraki, just try to stop the crying child from hurting, and the reminder of Ochako's own goals and words are a reminder of his own intentions; lets not forget, moments later he took control after seeing Katsuki's dead body, he attacked Shigaraki in ways that would cause severe damage -like in the middle of his chest, causing a hole.

Uraraka doesn't actually try to hurt Toga, but use her martial arts training in order to both dodge and tackle her, so she can hear what she has to say. I re-read the chapters around Katsuki's revival, because I was wondering, "does Izuku remember this before or after he locked eyes with Bakugou?", and the answer is after*. The other time he thought about it was before leaving the togatsuchako battlefield, when Ochako encourages him to not worry and go get Shigaraki.

So, what I mean by this is, Ochako Uraraka and Izuku Midoriya are not the same person, and they don't feel the same way for their main villains, just like Tomura Shigaraki and Himiko Toga don't feel the same for their main heroes, and are not the same. Izuku actually feels resentment and anger for Shigaraki, he cant forgive him, but he also doesn't want to kill and punish like that; he is a savior, if he has to fight he will, but in his heart he knows what he prefers' maintaining peace, and help the ones who are vulnerable. He sees the villain, and he sees the child who grew up abused and sad; he is a sweet boy, ofc he would try to stop the crying somehow. His conflict with him now, Im guessing, is that he doesn't really feel like he actually saved him -after all, he disappeared after the last punch, and he still considered himself the leader of the league who wanted to destroy everything. He gave him his autonomy back and tried his best, but his last words and request feel like a completely different "task" than what he envisioned; it makes him think, about what heroes and villains even mean in their society, and who gets to decide those things. How can he continue with Shigaraki's legacy?

In another hand, Ochako's conflict don't come from her own moral compass, but from what she is supposed to do; before she even saw sadness in her face she thought positive things about her -she has a cute smile, she is really honest with her feelings, and isnt scared to be open with others, and she envies that. She envies the villain Himiko Toga, and relates to her, and feels connected to her. So her pain feels even more personal when it shouldn't; she isnt her family, she is someone who has tried to hurt her and her friends over and over while being so happy about it. She is weird!

Besides the thoughts about society and who helps both heroes and villains, which are really important for her character and goals, the other side of their problem is... the way Ochako was refusing to see and accept her own weirdness. Interacting with Himiko was chaotic, confusing, and left her full of doubts about herself and what she wants, because isnt she even weirder if she wants to be more like her? How can she admit those thoughts out loud? Anyone would agree that behavior is disgusting, but... she can't hate her. She can't try to punch her, or hurt her, and she never was able to no matter how much she tried to convince herself this is the only way.

Her conversation with Izuku opened her mind and heart to start accepting what she truly wants to do to Himiko instead of what she has to do as a hero. What does she want? To stop her. Her hurt. Her tears. To make her happy, and to keep her alive. She wants to see everyone happy, to get peace.

This is why her conflict is both related to Shigaraki and Deku, and Katsuki and Izuku; in one aspect its about morality, heroism, villainy and society as a whole. Himiko will question how things works constantly, and she can't ignore it. And at the same time, there's an emotional side to it; she has multiple confrontations with her, where miscommunication and holding back hurts them both. She pushes herself to be more like others, but it doesn't feel right anymore; Himiko makes her see her own self hatred, and jealousy and care grow more and more. Why can't see just do the right thing to maintain peace?

Just like Izuku was surprised by Katsuki's tears during their second fight, Ochako gets concerned by Himiko's, when she interpreted Uraraka's words as her rejecting her love -and therefore, whole self. Is not until the second war that she even realizes Toga actually loves her in the same way she loves Izuku, being a little clueless herself.

It doesnt sit right with her to do the "normal" thing, because she isn't normal at all; she thinks about making a villain happy, and how lovely her smile is. Her honesty and openness to be unapologetically herself, no matter how much others try to push her down or change her attitude; she hurts others, she knows that's wrong and agrees with that generalized sentiment... but hate her for it? She tries to do it, but it doesn't work. Inside of her heart, she knows what her emotions are telling her, and its not anger.

This is messy, my head hurts, but Im hoping I can write something better and longer in the future. I guess it makes more sense that drawing of Shigaraki, Izuku, Ochako, Himiko and Katsuki all together. I always wondered, if this is about heroism and society, Katsuki shouldn't be there, and if it is about emotions and rivalries, then it would be Tomura.

If you read this far, thank you for your time, and apologies for the confusion the writing could have caused you.

*My internet is going really slow, so im not re-reading all of the chapters after Izuku's arrival in the battlefield, so I cant 100% say this is the very first time he does remember it. Once im able to, or someone checks it for me -wether im right in my statement or not-, I'll edit it to be accurate with the material.

[carnivalcarriondiscarded]

if you would all allow me to be delusional for a moment - so i went back to staring Very Hard at the neighborhood map and. um. well. im chucking my marbles out the window! as always take all of this with a Hefty grain of salt!

i thought i saw a weird pixel in Frank's window so i zoomed in. then i took a screenshot, and fucked with the contrast/brightness settings. and uhhhhhh

UHHHHHH

FRANK??? HELLO???? HE'S IN THERE? i'm pretty sure im Not seeing things bc that is definitely a vague gray tube-outline with a yellow spot in the shape of Frank's nose. hidden in the dark. and i might be seeing things but in the pane next to his face it kinda looks like his hand is on the window? but! Frank's in there! what the fuck!

so naturally i slowly scrolled through the neighborhood Zoomed The Fuck In. obvi there's nothing in Home's eyes, and Barnaby's & Sally's single visible windows(?) are closed. I couldn't find any out-of-place pixels in Julie's or Poppy's.

but! Eddie's kinda freaked me out a little! look at this shit!

on the top left pane... are those fingerprints pressing into the glass? and in the lower left, is that a fucking Face peering out? a creepy ass face that almost looks like some sort of mask? there seems to be another Shape in the upper right... another face perhaps?

and then there's the weird window shine in the lower right (along with maybe Another face...). it almost looks like a string of letters. there isn't a single pattern/design like that anywhere else in the neighborhood. what's up with that....

oh and also, just went back to double check the post office's display window

there seems to be another face - all the way to the right in the darkness. judging by the shape of the paler (yellowish?) pixels between what must be eyes, i think that's Eddie. and i think i see ears and a hat... not sure though. this one is really tough to see but it's There

(side note: Eddie is totally fucked, isn't he? between the faces(?) and hands behind his door, Home sitting in his display, and the hyacinths by his building, the emphasis on his memory (or lack-thereof) in a project that is, in a sense, About memory... i'm concerned! and eating it tf up! hell yeah lets get funky!)

now i couldn't see any, like, concrete Faces or anything in Howdy's store. but! you can kinda see inside! observe~

in the big open window, you can kinda make out some sort of container on a counter and what might be shelves or a kind of brick pattern. and then above the 100% sign... hold on are those fuckign Eyes? lets take a look zoomed in & without the image adjustments!

yeah those uh. i think those are eyes. Wally-esque eyes peering out of the darkness. though they also mildly remind me of eyespots on insect wings. butterfly eyespots, perhaps. inch resting indeed...

WAIT I LIED!!! there DOES seem to be another string of letter-like symbols in the neighborhood, not just the post office's window shine. now it could be just a wild coincidence, but at the same time it seems kind of... purposeful. like that's not normal shading/coloring.

check out the blue window border on Howdy's Place, next to the apples. the lighter blue pixels seem Arranged. i think i see a clear N, and either an R or a P... along with some other symbols that i don't recognize as anything. the lower ones look kinda like faces? what could the top one be? is any of it anything or am i looking too hard?

in short: they're watching us watch them and there's way more to the map than initially meets the eye....

(edit: i've added a reblog w/ the images outlined! badly outlined but a clearer View of what i see nonetheless! + some notes on more little things outlining helped me notice)

[dropthedemiurge]

Rewatching "Love for Love's Sake" can't hurt you

Rewatching "Love for Love's Sake":

Episode 4 vs Episode 8

[fastianini]

Valentino Rossi & Marc Márquez

all i need—radiohead

[rxttenfish]

merfolk in general are just. horrible horrible polyglots. their brains are already hardwired for language and quick language acquisition that remains active all their lives, further helped by retaining a high neural plasticity for their long lives, and especially enjoy complex language and language-based play and problem solving. but they also tend to have a lot of their society arranged where there's often multiple different languages at play within the same area, and only really stops being so once you get into especially small villages that have below the merfolk norm for outside contact. every merfolk alive today knows at least two languages, but most of them know far more than that, especially because one of those two will be the common-technical language. its been standardized and wide-scale implemented across the merkingdom after their dominance, to help bridge the gap between these different languages, basically as a successful version of esperanto. but its a trade language, and is mostly used for information you might want to reach as many people as possible, such as laws or business dealings or public announcements or the like. most merfolk don't view it as and don't treat it as a language proper, and its not what they prefer to converse in if they have another choice, usually finding it pretty limiting and restrictive, which is why its called common-technical.

miranda, being a royal who is regularly in contact with many different people around the merkingdom and regularly expected to be fully able to converse with them to do her job, knows just. so many languages. i might be changing exactly how many soon, but last time i counted it was in the low teens. like its just a perfect storm of her brain being wired for swift language acquisition and having a job that requires it and a position that means shes constantly around people from all around the merkingdom. not to mention having to know english too, which isn't just not her first language, it's not even her fourth language.

meanwhile, aaravi knows english and a little bit of hindi, less because of her mother and moreso because of her nana... its not that her mother never used it with her, but she was. less focused on using it or teaching aaravi, let's say. nana mishra uses it a lot more and is more interested in teaching aaravi when she asks her, especially in the intermittent period after her mom died and nana mishra was able to come back into her life to help aaravi pick up the pieces (though not after aaravi kind of. got left on her own. for an unfortunate amount of time). its just also fallen by the wayside with aaravi's whole Everything Else and kind of having a hard time accepting her nana's help and kind of being terrified of her (of no fault of her nana's, aaravi's just. she's just really traumatized after Everything, alright. having someone try to offer her help afterwards, especially when aaravi's scared of getting singled out as half human and half monster, is just. it's not something she can bring herself to trust.)

[call-me-chips]

This a piece from a bit ago (my art style has changed a bit since then) but it's still one of my favs

[1driedpersimmon]

Scus the //blood I was having feeling and decided the best solution was to dump Sesame in blood

And also Hauchie sweeping him off his feet because oh no

(And Sesame charm for myself hehe, maybe)

[biblically-accurate-dca]

these are all kind of Bad but this was the best of the bunch so i am posting it :p

i've been trying to draw vanessa more... she is so important to me... sun is here too i guess

[trishyeves]

Having Jasnah Kholin thoughts

Specifically, like, if the way Trish is reading the implications of her childhood "lunacy" is correct, that her family forcefully institutionalized her as a child, and what impact that had on her

She plays her cards so close to her chest, she doesn't trust easily, yet she loves fiercely

Based on her narration, her takeaway from the trauma (or, more likely, a takeaway from the trauma) was that the people she loved could still hurt her, even withour meaning it

How much of this was Gavilar, and how much was Navani? Did this have reverberations through the family to Renarin, the other neurospicy Kholin who likes to keep secrets?

Trish doesn't know, just... big feelings